- PII
- S0869-54150000392-4-
- DOI
- 10.31857/S50000392-4-1
- Publication type
- Article
- Status
- Published
- Authors
- Volume/ Edition
- Volume / Issue 4
- Pages
- 20-29
- Abstract
- The North has been imagined and represented for centuries by artists and writers of the Western world, which has led, over time and the accumulation of successive layers of discourses, to the creation of “images of the North”- ranging from the “North” of Scandinavia, Greenland, Russia, to the “Far North” or the poles. Westerners have reached the North Pole only a century go, which makes the “North” the product of a double perspective: an outside one - made especially of Western images - and an inside one - that of Northern cultures (Inuit, Scandinavian, Cree, etc.). The first are often simplified and the second, ignored. If we wish to understand what the “North” is in an overall perspective, we must ask ourselves two questions: how do images define the North, and which ethical principles should govern how we consider Northern cultures in order to have a complete view (including, in particular, those that have been undervalued by the South)? In this article, the author tries to address these two questions, first by defining what the images of the North are and then by proposing an inclusive program to “recomplexify” the cultural Arctic.
- Keywords
- Arctic, North, samples, culture, multilingualism, multiculture, research ethics, pluridisciplinarity, winter
- Date of publication
- 03.08.2025
- Number of purchasers
- 1
- Views
- 578
RAS History & PhilologyRusskaya rech
- ISSN (Print) 0131-6117
- ISSN (Online)3034-5928
CHTO TAKOE "VOOBRAZHAEMYI SEVER"? [WHAT IS THE "NORTHERN IMAGINARY"?]
Индексирование
Scopus
Crossref
Higher Attestation Commission
At the Ministry of Education and Science of the Russian Federation
Scientific Electronic Library